io9 reports that science fiction novelists and mainstream literary critics have been sniping at each other over the perceived value of sci-fi novels, and it's hard not to feel more than a little empathetic towards what seems like a ghettoization of a substantive literary subculture-- something the world of comic books knows a little bit about.The whole brouhaha kicked off when sci-fi writer Kim Stanley Robinson asked why a sci-fi novel had never won Booker Prize for fiction at any point in its 30+ year history, despite being what he consider "the best British literature of our time," and accused the Booker judges of "ignorance." John Mullan, one of the judges and an English professor specializing in 18th century literature, responded by blaming the publishers for not submitting more sci-fi works, but also added that he was "not aware" of science fiction generally, as it has become a "self-enclosed world":
"When I was 18 it was a genre as accepted as other genres," he said, but now "it is in a special room in book shops, bought by a special kind of person who has special weird things they go to and meet each other."
Wow, Professor, that sure sounds like a weird, creepy hobby for weirdo creeps. You know we're talking about sci-fi fans and not furries, right?
Maybe this is just me not being really old, but I find it difficult to perceive science fiction as a marginal cult genre when it's always played such a significant role in the pop culture around me, including movies, television, and fiction. (Though sadly, not comics.)
Perhaps Professor Mullan would also be interested to learn that comics aren't just for kids anymore. Biff! Pow!
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Saturday 26 September
By Synsidar
The io9 article was interesting and makes a point that relates to comics: writers tend to assume that their readers are familiar with genre conventions. If the readers aren't, making sense of the contents can be difficult or impossible.
The "Kirby estate vs. Marvel" development is new, but as it develops, it'll be interesting to see if people outside the comics community weigh in re Marvel's obligations to the estate. I doubt that a significant number will, because, to people who create close-ended works, the monetary value of the Marvel characters is merely an epiphenomenon stemming from how comics are published. There's nothing special about the Hulk, Thor, Iron Man, et al. that makes them greater or deeper than "n" literary characters; writers ran out of original things to say about them decades ago. But since the turnover rate isn't high enough to exhaust the pool of potential readers, the series remain profitable.
One could take the heroine from a randomly selected Harlequin romance and write more stories about her, but there's no point. The readers want stories that at least have the appearance of originality. The issues that the estate and lawyers from Marvel, et al. will be contesting, especially re Spider-Man, aren't relevant to people who don't watch soap operas or read superhero series.
SRS
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Monday 28 September
By Laura Hudson
I also find it interesting re: the sci-fi that a lot of novels with distinct sci-fi elements are being tagged as "not really sci-fi" by the literati because they don't contain many of the normal sci-fi conventions, thus contributing to the ghettoization by refusing to group more "mainstream" novels in the genre.