Mania has a great interview up with comics writer Alan Moore, which discusses his work on books like "Marvelman" and "Watchmen," and quickly becomes an indictment of the lack of new ideas in modern superhero comics:I was noticing that DC seems to have based one of its latest crossovers [Blackest Night] in Green Lantern based on a couple of eight-page stories that I did 25 or 30 years ago. I would have thought that would seem kind of desperate and humiliating, When I have said in interviews that it doesn't look like the American comic book industry has had an idea of its own in the past 20 or 30 years, I was just being mean. I didn't expect the companies concerned to more or less say, "Yeah, he's right. Let's see if we can find another one of his stories from 30 years ago to turn into some spectacular saga." It's tragic. The comics that I read as a kid that inspired me were full of ideas. They didn't need some upstart from England to come over there and tell them how to do comics. They'd got plenty of ideas of their own. But these days, I increasingly get a sense of the comics industry going through my trashcan like raccoons in the dead of the night.
I think Moore poses an interesting question. What are the great superhero characters have been created in, say, the last 10 to 20 years?
When everyone was analyzing the Disney buyout of Marvel, and the stable of characters that they getting in the deal, I was struck by how few of them had been created in my lifetime. And even beyond characters, there is a tremendous amount of plot recycling that takes place in comics -- and in fairness, lots of other media like television and films. But while nostalgia and the reinventing of old ideas certainly have their place, where are the new characters that will inspire the next generation, and give them something to reinvent?
What do you think? What genuinely new characters from the last 10 to 20 years jump out at you? Are there as few as Moore suggests?
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Monday 21 September
By Ken Lowery
I'd say Hitman, but that's another British Invasion creation (Ennis, this time).
Other than that... nothing comes to mind. I go outside superheroes if I want comics with fantastic ideas. I go to the Big Two (infrequently) if I want to see old ideas done well.
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Monday 21 September
By David Uzumeri
Wait a second, Alan Moore is going off about a comics industry he stopped reading years ago? Stop the presses!
Joking aside, especially since Moore is being as broad as "the American comics industry" here, while concepts that get popular in superhero universes and are wholly original *are* a hard sell, the Runaways and Sentry show it *can* be done. It's very difficult for me to come up with any TOTALLY new concepts that became successes, but that's largely because tying a new character in with the existing shared universe is a good way to build readership.
At which point, I have to ask - isn't Alan Moore really just as guilty of mining past continuity? Yeah, he came up with big twists like "Swamp Thing isn't Alec Holland" and stuff like that, but Marvel/Miracleman, Swamp Thing, Watchmen, From Hell and lord knows League of Extraordinary Gentlemen are all works built on the shoulders of giants.
Basically, is the guy who's currently writing comics about all his favorite British heroes teaming up really throwing stones in a glass house about trying to milk existing concepts and ideas? Because that's massively hypocritical.
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Monday 21 September
By Laura Hudson
Perhaps "genuinely new" is too narrow a term. I do think a character can draw broadly on other influences, as many in Moore's work did, and still do something "new" in a meaningful way. That said, what do we have coming out of the 90s and 00s?
I've been thinking about it and have only come up with a few, which is I thought I'd ask others to throw in their two cents. Deadpool has proven to be a marketable and fairly interesting character post-Liefeld as his character has been developed over the last decade. I think you're right that Runaways is another good one, although the singles format nearly killed it before it got off the ground.
Monday 21 September
By David Uzumeri
Ack, did my last comment get eaten? Either way, I was just thinking that if you count sort of really fresh takes on older concepts, then you've certainly got Jack Knight Starman and the Android Hourman, and Warren Ellis created a bunch of sort of future-science-heroes with a lot of fans like the Planetary crew and Spider Jerusalem.
Monday 21 September
By Alexa
Um, The Sentry is a blatant Miracleman rip-off.
But yeah, I agree about Runaways.
Monday 21 September
By Ken Lowery
Oh oh, The Tick!
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Monday 21 September
By Murphy
If you're looking for immediate impact and wider recognition, then just off the top of my head I'd point to Hellboy, which has done pretty well for itself as a franchise in only 16 years
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Monday 21 September
By Laura Hudson
Comments via Twitter include:
@BrandonCyphered: Jack Hawksmore from the Authority.
@rusty_shackles: Hellboy, Invincible, and to an extent as far as superheroes go, Jesse Custer maybe? (want to say Scud too...as usual)
@j_bacardi: Perhaps a case could be made for MAJOR BUMMER there?
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Monday 21 September
By Jemaleddin
Hawksmoor and Custer were both created by Brits.
As was the Boys, another exceptionally original superhero comic, not to mention the recent Anna Mercury.
Monday 21 September
By Jemaleddin
The Hood, Incognito and Amadeus Cho all seem to meet the criteria.
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